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with] a gradually rising sense of the macabre… very special indeed." (lineofbestfit.com). Early 2019 will see the release of album three. Patiently built in the same underground lair as Brightly Painted One, the album was made over a drawn out period of spontaneity and experimentation, stridently reaching beyond Fullbrook’s formerly minimalist domain. Production from Tom Healy and Fullbrook is exercised with muscular aplomb; marrying the intricately woven poetics of Leonard Cohen, the shimmering dream-pop landscapes of Beach House or Mazzy Star, and the off-kilter experimental pop of Broadcast or John Cale. Exhilaration persists throughout the record as Fullbrook commands a series of songs marrying the ordinary with the outlandish, the metaphysical with the mundane. Every track is coiled with the potent energy of a band enraptured in performance, while Fullbrook’s lithe voice slips between characters with a gentle yet urgent fluidity rarely seen in the climate of modern music. A sardonic humour is laced throughout as Fullbrook explores the absurdity of a life travelled in song. “How much would you be willing to give?” Fullbrook asks point-blank in first single ‘How Much’, ahead of woozily discordant strings and a stomping neo-psychedelic rhythm. The lyric brims with imagery of supermarket breakdowns, lilos, snarks and silos while an anthemic guitar hook soars throughout. Not content to leave the song at a stable conclusion, a thumping ‘I am the Walrus’-esque bass outro propels the track boomerang-style back to a space of adroit experimentation. A group renowned for their electric dynamic live on stage, Tiny Ruins have toured the world many times over in solo and varied group formations. They have played stages across countless cities and states with Sharon van Etten, Calexico, the Handsome Family and more. Ahead of the album release Tiny Ruins play headline shows across the UK and Europe; support Milk! Records mastermind and artist Jen Cloher in Australia, and The Chills in New Zealand.
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