Till the Wheels Fall Off

Zellar and Soth have] mined here falls somewhere in between W. G. Sebald’s photograph-strewn novels and Carson McCullers’s small-town freaks and loners: the result is an unaccountably strange and liberating narrative.” —Vogue “House of Coates can only be described as a personal truth of sorts, one wrapped in artistic mystery and pierced with startling photographs . . . Zellar’s prose encapsulating Lester’s life so well, that it won't matter if he is made of flesh and blood or not, for you will feel he is undeniably real, with no need for further research.” —The Intentional “A kind of case study of human drift.” —Star Tribune “This collaboration between writer Brad Zellar and photographer Alec Soth . . . captures in 133 pages the essence of those who live on the edges of society.” —Pioneer Press “A standout. . . . Exquisitely written.” —Book Riot “The book is really as much about the place as it is about Lester . . . and both story and photos describe a connection among them that’s almost spiritual. . . . This is a truly, deeply Minnesotan story, and one well worth spending some time with.” —MNArtists.org “You’ll be swept away by House of Coates. . . . The best picture book ever for adults?” —Donna Trump “Brad Zellar makes intriguing and vital observations on types of character traits that defy cultural assumptions and stereotypes of masculinity. Combining vivid writing with photographs by Alec Soth, the novel becomes an enlivened testament to our complicated associations and relationships with the world and each other.” —TJ Eckleburg Review “Gentle and unsparing in equal measure.” —Bustle “A beautiful object, both for readers of fiction and for people who like Alec’s photography who are also interested in artists’ books.” —OZY “A very handsome paperback edition. . . . A new afterword wraps the whole mystery of Lester beautifully.” —MinnPost “Loneliness . . . with a seedy flavor, a weatherworn feel, both angrier and more subdued, totally frank and intimate, but also silent and empty. What’s truly amazing about this book, having just described it in such terms, is that it strikes some very familiar chord without seeming cliché or archetypal or borrowed.” —Nomadic Press