The Once & Future King

6b T. H. White. London: Collins, 1958. First single volume edition. Notes This 1958 edition of The Once and Future King, printed in London by Collins, represents a monumental landmark in fantasy literature as the very first single-volume printing of T. H. White’s Arthurian epic.The narrative reimagines the entire life of King Arthur, tracing his journey from an innocent boy tutored by the time-traveling wizard Merlyn in The Sword in the Stone, through the tragic romance and political fracturing of Camelot, to his final, poignant eve of battle. By binding these stories together, this volume masterfully transforms a series of separate narratives into a cohesive, sweeping masterpiece that explores the philosophy of power, justice, and the heartbreaking collapse of a utopian dream. The author behind this timeless epic was Terence Hanbury White (1906–1964), an English novelist and medieval scholar whose complex personality deeply shaped his writing. White was a deeply reclusive man who found comfort in nature, falconry, and studying the Middle Ages, often choosing isolation over modern society. Writing parts of this sequence against the terrifying backdrop of World War II, White utilized his profound knowledge of medieval culture to construct an Arthurian world that was both heavily researched and intensely human. His own struggles with loneliness and his pacifist reactions to global warfare directly informed King Arthur's search for a way to conquer "Might" with "Right," infusing the fantasy framework with rare psychological depth and philosophical gravity.  Though White had published three parts separately between 1938 and 1940, this specific single-volume release features substantial revisions, including entirely new chapters added to The Sword in the Stone and a massive, rewritten overhaul of The Witch in the Wood (renamed The Queen of Air and Darkness). It also features the very first printing of the concluding section, The Candle in the Wind. As the definitive text that inspired the classic Broadway musical Camelot and Walt Disney’s animated film, this true first collected edition stands as a cornerstone artifact of 20th-century literature. Description  Blue canvas binding with silver lettering to spine. Original dust wrapper. Inscription to preliminary flyleaf dated Easter 1958. Tear to lower left corner of dust wrapper protected from further damage with a protective clear cover. Fine condition overall.