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The publication focuses on the formative years between 1990 and 1995 in which Landers articulates his persona through media as various as paintings, diaristic calendar drawings, and performative videos, providing the reader with an unflinching excavation of the artist’s consciousness. In his relentless articulation of emotion at its most base and its most noble, Landers foregrounds the personality of the artist as an object worthy of study. Ringier, Zürich, 2011 with the support of the Contemporary Art Museum St. Louis and the support of the Ringier Collection, Zürich.
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