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Artist: Morgan Johnson Format: Oil on canvas Dimensions: 40" × 30" Description: There is something disarming about Red Peddle — and that disarmament is entirely the point. This is the largest work in the current Nicart selection, and Morgan Johnson fills all 40×30" of it with a bicycle so casually rendered, so warmly familiar in its tilted, leaning posture and its red pedals catching the afternoon light, that it triggers something almost involuntary: a summer afternoon, a screen door, a bike dropped against a fence while you ran inside for lunch. That nostalgia is not an accident. It is the mechanism. Johnson paints this from the Emanation Series with a deliberate thesis — China's ability to flood global markets with affordable bicycles as a Trojan horse for economic capture. The bicycle worked because it was universal and innocent, because everyone already had a memory of one. "The economy was captured," Johnson notes plainly. The painting understands exactly how: not through force, but through something that felt like childhood. The most effective strategies rarely announce themselves. Want to learn more? Read Morgan's Introduction Page Sign up to receive email notifications about Morgan's new work and where it's showing
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🇺🇸 Ship from USA · On Agora since 2026
$1,200.00