Processing - 100 Comics That Got Me Through It by Tara Booth

Tara Booth is an Ignatz Award winning cartoonist, painter and illustrator from Philadelphia. Her autobiographical comics tackle issues relating to mental health, addiction, gender and sexuality. Known for her painterly approach to comics, often using bright colors and dizzying patterns- Tara's work has been featured in Best American Comics, The New York Times, Vice and Bloomberg Businessweek, among others. Review Quotes: "You don't understand how good something has to be in order for me to publicly endorse an anxious-avoidant. Tara is THAT GOOD. I found myself gasping--in recognition, feeling a little too seen on one page--and then at the sheer beauty of her work. How dare she make an entire generation feel seen this way?" --Jamie Loftus, Boss Whom is Girl "Tara's comics are a soothing balm of reality. Her mess reflects our mess; her bad brains are our bad brains. We are all just doing our best with our corporeal lumps, limbs, and libidos, orbiting buttholes blooming with wild bouquets!" --Lisa Hanawalt, Tuca & Bertie "The book is everything I love about Tara Booth's work: it's funny, strange, and uniquely moving. Perfect for longtime fans like me, and new readers too." --Monica Heisey, Really Good, Actually "A classically trained painter, [Booth is a] cartwheeling, emotional clown who's both eager to remind us we're not alone in our struggles, and grinning nervously, awaiting our approval." -- Vulture "For her fans, Tara Booth's paintings are beyond relatable. She has nothing to hide and comforts her audience by exposing and painting universal neuroses" -- Juxtapoz "A master of self-deprecation, translating her shameful actions into gloriously taboo moments of artistic revelation." -- Hyperallergic Publisher Marketing: Riotous bodies abound in these deeply honest comics that will get you through it (or at least help) "When you order CBD gummies for your anxiety but forget to consider your eating disorder." Known for her buzzing colors, delightful patterns, sharp humor, and unflinching vulnerability, Tara Booth does not miss any mark in this exquisitely woven collection of pure and nasty magic. Part advice column and exhibit, exploration of psychic pollution and tranquility, Processing is--quite simply--intrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds. In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no bra--when you stretch, your boobs, sometimes, pop right out. This is all just life but we don't often see it on the page. Undaunted, Booth draws it. When advice from spiritual gurus like Tara Brach and Ram Dass just aren't cutting it, take solace in the genuine arms of Tara Booth: a fearless cartoonist who is unafraid to put her existential angst, blemishes, and stains right on the page, and who--with relentless relatability--makes us all feel a bit more at home in our too-human vessels. With color that vibrates and fluids that impose, Processing lays Booth bare--literally and figuratively.