OB FROM MARS

Classic and Custom Oberheim Synth Sounds The OB-SX is an all-analog, six voice poly synth from the early 80s, whose sound lies somewhere between the more well known OBX and OBXa. A transitionary model between the two synths, the SX captures the funk of the OBXa and the grain and aggression of the OBX, while somehow sounding a bit different than both. For this reason, it seemed the perfect synth to sample for the OB From Mars.  The Oberheim Sound  A lot of people talk about the "Oberheim Sound" - but what exactly does that mean? Since these synths have had such a massive influence on modern music, the term can mean something different to everybody. The OB will certainly conjure up visions of prog rock bands experimenting with synths for the first time - Rush and Van Halen come to mind immediately. But Oberheims have also been used by synth masters like Jean Michel Jarre and Tangerine Dream and funkmasters like Prince, Roger Troutman. and a slew of Italo Disco artists.  Genre aside, the Oberheims are quite simply some of the most organic, punchy, and "pro" sounding synths out there. They excel at everything from pads, strings, trumpets and organs, to bass, leads and crazy FX. And even with just a singular mono output, the SX can easily dominate a mix with a wide variety of sounds that are just...well...Oberheim:    The Funk is in the Filter The OB has some of the best sounding brass, rhodes, clav, and bell sounds I've ever heard from an analog synth, and this is due in no small part to the filter and its envelope. The resonance, when coupled with a lightning fast modulation envelope, adds a plasticky punch you won't find in many other synths - making it the perfect choice for warm, metallic keys: Perfect for Lush Soundscapes The midrange on this synth is inherently punchy, and even brash at times. This is what allows it to cut through a mix. Fortunately, as soon as you turn the cutoff down, the entire synth instantly warms up, making it the perfect choice for lush soundscapes, silky strings, warm basses and vintage leads: The Classic Presets The OB-SX comes stocked with 56 factory presets that Vintage Synth describes as "a bit dated (e.g. early funk & late prog rock)" - which means we absolutely love them!  For the most part, these are excellent presets that give the OB an instantly nostalgic and familiar vibe. Some of them are blatantly reminiscent of our favorite records of the past, and we're ok with that:    We sampled 23 factory presets in total (see the "About" doc for the exact patches), in the hope of capturing the classic and more well known side of this synth. Like those famous Oberheim chords:  Creating Our Own Custom Sounds After sampling our favorite factory sounds, we dove head first into weeks of  synthesis until we felt we had rinsed this synth of all possible patches (well, as much is realistic while sampling a synth). We sampled 19 custom presets, with the hopes of bringing the synth into less-explored sonic territory.  But how - this synth only has a couple knobs, right? Yes. Except that our OB-SX has a midi modification which allows for full access of the synthesis parameters that make this synth such a dynamic beast. This is what makes it capable of custom sounds similar to the OB-X and OBXa sounds. With the mod, we were able to access both ADSRs, VCOs, detuning, cross modulation, and even a midi voice parameter that allowed us to either re-trigger the same voice while sampling (which allows for extremely clean and consistent sound) or, as the OB naturally plays, cycle through the slightly detuned and extremely characterful six voices.  Why we Chose the SX Although they all share a major commonality in tone, each synth in the Oberheim line is different sounding than the next. We love the rawness of the OBX - it's a fully discreet, wild beast, especially with its cross modulation possibilities. But we also admire the softer sounding OBXa. The SX is kind of a combination of both, while not sounding exactly like either. For this reason, it seemed the perfect choice to demonstrate the vast range of the Oberheim Sound.  What You Get The OB From Mars gives you 42 multi-sampled OB-SX patches, 23 of which are factory presets and the remaining are custom, Samples From Mars presets. They've all been organized into categories. For each patch, every note has been hand sampled, trimmed, and looped (where applicable). Some patches have been multi-sampled with different parameter settings on the OB ( and mapped via velocity or as a stereo patch). You can use pre-built presets in Ableton, Kontakt, Logic, Reason, FL Studio, or SFZ so you don't have to map the WAV yourself (SFZ player is a free, cross-platform sampler for both Mac & PC, so you can essentially use these presets in any DAW). The Ableton, Kontakt and Logic presets feature extensive software synthesis implementation (Modwheels, LFOs, FX, and more). However you use it, the OB From Mars will give you that classic Oberheim sound while allowing you to venture into more unique and stranger side of this amazing synth.  Contents: 23 Factory and 19 Custom presets, multi-sampled from the OB-SX 42 total OB patches, organized into 7 categories Bass, Brass & Woodwinds, FX, Keys, Leads, Organs and Strings 4,286 24 bit WAV samples WAVs are trimmed, looped, named by note, and mapped to various samplers WAV feature mapping and looping metadata, for easy drag n drop into unsupported samplers Recorded cleanly through an API 1608 console to Apogee Symphony Conversion Classic Oberheim sounds: plastic chords, silky strings, smokey pads, organs, clav, trumpet and rhodes sounds Rubbery basses, vintage leads, evolving FX and more Extensive modulation and FX routing on all software instruments 1.7 GB Unzipped About Ready For: Any 24 bit WAV Compatible DAW or Sampler Ableton Live 9.7+ (Not Intro) Kontakt 5.6.5+ (Not Kontakt Player) Logic 9+ Reason 8+ FL Studio 20.8+ SFZ Player (Free, cross-platform solution for any DAW) 1.7 GB Free Space