King Arthur and his Knights

6C London: Blackie & Son Ltd., ca 1910. Notes The origins of the King Arthur legends are a fascinating blend of early medieval history, Celtic mythology, and cross-cultural storytelling. While early British chronicles from the 6th to 10th centuries mention an ambiguous "Arthur" as a warrior chieftain fighting invading Anglo-Saxons, the myth truly coalesced in 1136 with Geoffrey of Monmouth's History of the Kings of Britain. Geoffrey introduced iconic elements like Merlin, Guinevere, and Excalibur, which French poets later expanded by adding the Holy Grail, the Round Table, and the tragic romance of Lancelot. The definitive crystallization of these sprawling, centuries-old tales occurred in 1485 when Sir Thomas Malory compiled and refined them into Le Morte d'Arthur. Malory transformed the disjointed medieval folklore into a single, cohesive tragic epic of chivalry, honor, and betrayal that became the foundation for all modern Arthurian literature.  The lasting legacy of the King Arthur stories lies in their unmatched ability to constantly reinvent themselves across generations while remaining a universal symbol of human idealism. From the Victorian era's romantic poetry to 20th-century high fantasy, Arthur's court at Camelot has served as a timeless canvas for exploring political philosophy, moral duty, and the human condition. The mythos has left an indelible mark on modern global culture, inspiring everything from the iconic imagery of fantasy role-playing games to countless Hollywood blockbusters, stage musicals, and animated classics. Description Blue/gray canvas binding with illustrative pastedown to upper cover. Gilt lettering to cover and spine. Sun fading to spine. Pastedown to interior cover of The Girls’ School Company as a Class Prize to Janet Macdonald dated June 1911. Gilt top edge. Some fading to covers but bright color to cover and illustrations throughout. Good condition overall.