Empty to Empty

In Empty to Empty - Andrius Miezis crafts a surreal reflection on absurdity, isolation, and the rituals of modern existence. A red, heart-covered house with human legs stands upright in a tiled void, its interior revealing a skeleton calmly seated on a toilet. The humor is immediate, but beneath it lingers something existential - a meditation on the cyclical emptiness of routine. The contrast between the playful surface and the morbid occupant creates a tension that’s both comical and poignant. The hearts, symbols of affection, lose their sweetness against the sterile backdrop, while the skeleton - stripped of all identity - becomes the ultimate figure of quiet futility. Empty to Empty unfolds like a tragicomedy about the human condition - love patterned over loneliness, life disguised as habit, and the strange dignity found in repetition. Miezis suggests that even in the most mundane or absurd acts, there’s an echo of meaning, however faint, waiting to be seen.