M O 月 N

Chengru He Free Verse Editions Edited by Jon Thompson Information and Pricing 978-1-64317-504-1 (paperback, $14.95); 978-1-64317-505-8 (PDF, $9.95); 978-1-64317-506-5 (EPUB, $9.95). © 2025 by Parlor Press, 76 pages. Bookstores: Order by fax, mail, or phone. See our "Sales and Ordering Page" for details. What People Are Saying Chengru He’s wonderful and entirely original poems have one foot in a Chinese poetic sensibility (its spareness, erasure of self, and reliance on image) and the other in an American going-outness and commitment to play. Her work crosses alphabets and disparate poetics, landscapes half a world away from each other, and diverse personal and cultural histories with openness, wit, and immense charm. Out of these, she creates a welcome intervention in and addition to an emergent, newly inclusive American poetry. —Katharine Coles   From its very title, with the Chinese character for moon interposed into the English word “Moon,” this collection offers rare and intimate access to what linguistic and poetic—as well as physical—exile feels like. The speaker of these poems refuses to choose between Chinese and English, between Tang Dynasty and twenty-first-century poetry, between memories of a vanished China and walks down contemporary American streets. Almost every poem in this collection demonstrates how “the lost part of me/ sneaks back/ to remind the rest of me/ how I used to hold a pen tight/ one stroke/ after another.” Particularly moving are the variations on Li Bai’s “Moon” —a poem about longing for home—which appear throughout the collection: first in Chinese characters, then in pinyin, then in English, then in various combinations and then expanding to make room for the stuff of twenty-first-century America life: “LED 3 color temp/erature lamp”; “4K Screen”; “identity politics”; “Social Security number,” as well as images from He’s other poems in the collection, working to break down the distinctions between Chengru He’s mostly English-language contemporary poems and the great ancient Chinese poetic tradition from which they come. —Jackqueline Osherow   M o月 n is English word is Chinese character is sometimes a character inside of a word is in the sky as light and on the ground as shadow and on the body is time is marker of home, when homes are so far away from each other (Shanghai to Alabama and Utah). M o月n is still a point between a language/culture that has no tenses, and one that is tense with worry about categories and places: “how to invite the non-self from its nonexistence to a / land of identity politics how to introduce the non-self who controls the verbs with no rules.” Chengru He charts her own geographies according to these moons, the approximate “moan” of a word with a character inside it. This is a beautiful book about dispersions of many kinds, a map to the scattered world. —Susan M. Schultz Description M O月 N is an exploration of the position of individuals and languages in a transnational space; an experiment of make-it-new poetics in a multilingual and multicultural context. It reimagines personal relationships through the simultaneous deployment with Chinese characters and English letters, examines one’s cultural identity through rewriting and re-translating Li Bai, and refashions classical forms, such as jueju. About the Author Chengru He 何琤茹 is a poet and translator from Shanghai. She is the author of a hybrid collection I Would Vanish into Its Stronger Existence (Wet Cement), the Chinese translator of two books and a few chapbook projects. Her writing, translation, and multimedia works appear in Ancient Exchange, Colorado Review, Fence, Gulf Coast, and The Kenyon Review, among others. A former EFL teacher, she is currently based in Salt Lake City, where she is a PhD candidate in English Literature and Creative Writing at the University of Utah. Photograph of the author by Joel Brouwer. Used by permission.