ARRI ALEXA 35 Xtreme Base Operator Set (LPL, MVF)

The ARRI ALEXA 35 Xtreme answers filmmakers’ wishes with higher frame rates, a next-generation high-quality codec that reduces data rates, much longer pre-recording times, lower power consumption, and significantly improved WiFi capabilities. ALEXA 35 Xtreme is available as a new camera or as an upgrade to existing ALEXA 35 cameras. What's Included 1x - K1.0053455 ARRI ALEXA 35 Xtreme with Base License 1x - K2.0018983 ARRI LPL Lens Mount (LBUS) 1x - K2.0016936 ARRI PL-to-LPL-Adapter 1x - K2.0034180 ARRI Balance Utility Dovetail BUD-1 1x - K2.0023751 ARRI B-Mount Battery Adapter 1x - K2.0020916 ARRI Multi Viewfinder MVF-2 2x - K2.0042857 ARRI Cable VF Right Angle (0.5m/1.5ft) 1x - KK.0051696 ARRI Operator Set Delivering Frame Rates of Up to 660 fps The ALEXA 35 Xtreme removes the need for a secondary high-speed camera on most shoots. This streamlines production workflows, saves both time and money, and ensures that high-speed footage matches seamlessly with standard-speed shots in postproduction. These benefits are enabled by a powerful new main processor, equipped with more and faster on-board memory. Frame rates up to 330 fps retain the camera’s full 17 stops of dynamic range, while a new Sensor Overdrive mode allows frame rates up to 660 fps at a dynamic range of 11 stops. ARRICORE The ALEXA 35 Xtreme is complemented by ARRICORE, ARRI’s next-generation RGB codec designed to deliver the camera’s exceptional image quality at a more accessible cost by reducing data rates. At the same time, flexibility in post is assured, since sensitivity, white balance, and tint are not baked in.  Longer Pre-Recording Times Pre-recording times are now five times longer with the ALEXA 35 Xtreme, which will simplify high-speed capture for everyone and is essential to documentary filmmakers. The ALEXA 35 Xtreme pre recording time is 30 seconds when shooting 24 fps Apple ProRes 4444 in the highest resolution (4.6K Open Gate), or a full five minutes when shooting 24 fps Apple ProRes 422 HQ in HD. These are the longest pre-recording times available in any cinema camera.