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Join Aloria Weaver & David Heskin for a deep dive into the practice of Oil Painting Portraiture. RECORDED ONLINE COURSE in 5 VIDEOS: Classical Realism with Aloria Weaver & David Heskin Render life-like flesh and capture an accurate likeness through translucent layers of oil paint. Note: By accessing these password-protected videos, you are agreeing not to share, distribute or duplicate this content in any way. All recorded content is protected by copyright law. Curriculum Overview Drawing & Transfer Underpainting & Overpainting Color Logic & Mixing Strategies Glazing & Layering Perfecting Handmade Oil Mediums Traditional & Modern Pigments This is an Advanced Course. It is open to all levels, however a working knowledge of value relationships (darks to lights) and a solid drawing foundation are a must. Practicing artists tend to gain the most out of our intensives. Wherever our students are on their art path, they will be able to use the hands-on knowledge in this course to expand their skills to new levels of understanding and comfort with the complex array of artist's materials that are available. The process of indirect (layered) painting techniques will be explored from start to finish, adjusting the formulas of our mediums to suit each stage. By de-mystifying traditional materials and mediums, a connection is made to the elemental sources from which oil painting supplies are sourced. Students are encouraged to generate or research their own portrait reference material, ideally high resolution images that can be printed at the size of the painting. The overall size of the painting is up to each student. As always, we will delve deeply into the properties and working characteristics of oil paint and oil painting mediums. . . . . . REQUIRED MATERIALS Students will be required to have a small selection of specific brushes, oil paints, mediums and panels. Panel (9x12", 11x14", 12x16" or 16x20") Brushes: A small selection of sable or synthetic sable brushes in filberts, rounds & goat hair mops, plus at least one fine liner for inking. A flat soft, synthetic/sable glazing brush 1.5"-2". Charcoal: vine (not pencils) & sand paper for sharpening Ink: India or other shellac-based / waterproof ink Oil colors: Cremnitz (lead) White – PW1 OR alternative Lithopone – PW5 Titanium White – PW6 Raw Umber – PBr7 Alizarin Crimson – PR83 Transparent Iron Oxide – PR101 Genuine Naples Yellow (lead antimonate) – PY41 OR alternative Mars Yellow – PY42 Terre Verte Green – PG23 Ultramarine Blue – PB29 Mediums: Sun-thickened linseed oil Gum Spirits of Turpentine Canada Balsam (optional) Small jars for mixing oil mediums Oil palette & palette knife Small ceramic glazing dish (plate or shallow bowl) Purchase our own handmade, sun-thickened linseed oil here Link to purchase materials *Not everything at this link is required - please read the above list carefully. **Some items are not available at this link. Please see our 'Resources' Page below for more links to purchase specialty items. Instructors • Testimonials • Resources Email LuminousFluxGallery@gmail.com for additional information
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🇺🇸 Ship from USA · On Agora since 2025
$330.00